If you look at the recent box office hits, they have one thing in common… There is no social or political controversy around them. In other words, they are Normal Movies made for Normal People.
After something close to a dozen flops in a row, The Disney Grooming Syndicate finally released a movie that looked normal, Inside Out 2, and it has already grossed $1.2 billion. Inside Out 2 is what people want from Disney: no gay sex, no transvestites, no pronouns, no lectures, just a nice story about relatable characters.
Despicable Me is Universal’s cash cow franchise, and over the five-day weekend, part four grossed $122 million domestic. Why? Because, unlike Disney, Universal refuses to pervert its children’s movies with woke, which is why it stole the animation crown from the Disney Grooming Syndicate.
A Quiet Place: Day One, Bad Boys: Ride or Die, John Wick: Chapter 4, Guardians of the Galaxy Vol.3, Kingdom of the Planet of the Apes, and the upcoming Deadpool & Wolverine… All blockbusters-to-respectable hits because they did not betray the trust of their fans. Unlike, say…
Indiana Jones and the Dial of Destiny, The Marvels, Shazam! Fury of the Gods, Lightyear, etc.
Another lie these box office hits expose is the smear that racist Americans want nothing to do with franchises starring non-whites — and yet there’s Bad Boys: Ride or Die; that we want nothing to do with female stars — and yet, Inside Out 2; that we bigots especially want nothing to do with non-white females — and yet A Quiet Place: Day One.
This is not difficult…
Woke = bad storytelling.
Bad storytelling = lousy movies.
Bad movies = lousy box office.
Yes, like any rule, there are exceptions. Barbie was woke, but it also did something no mainstream Hollywood movie has done in a decade: made people laugh. The latest Mission: Impossible tanked, but it also looked like more of the same after seven previous chapters.
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