Godzilla Minus Zero opened to a record-breaking $32 million domestic weekend — the biggest opening ever for a subtitled Japanese film in North America. It’s visually stunning, shot in IMAX, and Takashi Yamazaki brings the same craft he brought to Minus One. But the original worked because it was lean, emotionally devastating, and felt like a miracle. The sequel is bigger in every way, and that’s both its strength and its problem. Full honest review — what it gets right, where it falls short, and whether you should see it in theaters.
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