SJW movies crash every time. Again they put out weird social justice versions of classic characters and ruin a franchise. Total failure at the box office!
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In the wake of Terminator: Dark Fate’s failure at the B.O., and Paramount’s recent decision to make Beverly Cops 4 for Netflix, we have the further breakdown of cinema IP in Sony’s Charlie’s Angels reboot, which is tanking with a God-awful $8.2M opening, 3 Stars on Screen Engine-Comscore’s PostTrak, and a B+ Cinemascore.
The Elizabeth Banks-directed-written and produced pic is also opening in 27 offshore markets, China being one where it’s also bombing, with a $6M two-day take in second place behind local title Somewhere Winter ($8.8M). All of this is primed to further spur a WTF reaction and anxiety among film development executives in town in regards to what the hell exactly works in this have-and-have-not era of the theatrical marketplace. Many will make the hasty generalization that old, dusty IP doesn’t work, or is now deemed too risky when it’s not a superhero project. However, moviemaking is an art, not a science, and annoying as it might sound, good movies float to the top, and this Charlie’s Angels reboot didn’t have the goods going back to its script.
